![]() ![]() How do their interactions differ from Charlie's interactions with his sister?Ĭharlie's family's hands-off approach to love makes Charlie unlikely to offer physical affection.Ĭharlie only seems to appreciate his family when he sees how bad other families can be. What is Charlie's relationship with his sister like? Do they have a normal sibling relationship or is there something unique happening with them?.Is Charlie's family a loving one? How can you tell?.Why does Charlie give Aunt Helen a name when he doesn't name any of his other family members?.Still, in the clutch, they all come together to support each other. And they're certainly not forthcoming with loving comments and physical affection. They definitely have their share of problems, some of them dating back a generation or two. Within the Perks of Being a Wallflower, Charlies almost awkward relationship with his parents as well as his non-existent peers is evident that his. But just because they fit a mold set by 50s-era sitcoms, that doesn't mean they are one big happy family. Perks of Being a Wallflower and The Catcher in the Rye: similarities Both texts emphasize the importance of relationships by elaborating on the time that the two main characters have spent alone. We wouldn't be surprised if they had a white picket fence. Perks of Being A Wallflower (1999), the ambiguity of the second-person pronoun. On the surface, Charlie's family meets the textbook standard criteria for normal: mother, father, three kids. narrator depicts is a character, whereas the reader is the apostrophe who. ![]() Well, not in The Perks of Being a Wallflower. Usually one or both parents are dead, older siblings have run away, or the protagonist has to play parent to a younger brother or sister. The antagonist is whoever or whatever causes the circumstances or event that drives the plot forward by causing the protagonists problems. The film is narrated in the first person through the main character Charlies, point of view. ![]() (Click the themes infographic to download.)Įverybody's family is different, and never is that more apparent than in young-adult fiction. Protagonist and Antagonist: These two terms are key components of any narrative form, including plays, novels, and short stories. It takes a deeper, darker twist into high school reality. ![]()
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